The Not Chair

In a drawing class a few years ago, a teacher asked us to draw a chair by depicting all the spaces around it. Drawing the not-chair, he told us, restarts the mind, tricks it into bypassing the brain’s assumptions about how a chair should look. The exercise does, as he promised, force you to scrutinize the scene afresh.

Figuratively speaking, I’ve been drawing the not-chair a lot recently.

With my 60^th birthday approaching and after 36 years of teaching, I’m working part-time this year, meaning I have not only fewer classes but also fewer responsibilities as advisor, club sponsor, or coach. My schedule is largely open. I arrive a little before I teach. I leave a little after I finish. This new regimen is only a couple of weeks old but feels mostly like not-teaching. Assumptions about my life’s purpose have changed.

Like probably most people, furniture fills my day. Usual tasks take up its room: exercising, making a bag lunch for work, commuting, visiting Starbucks, and engaging in various other regular activities you may know as well as I do. And most of that furniture—until this fall—surrounded work. I had little time left over after planning for class, grading papers, meeting with colleagues, and answering student emails.

Now I look for ways to occupy my newly expansive day. I already have one other sort of furniture—writing a daily haiku for my haiku blog—and, in June, I added another by creating Instagram account (@davidb.marshall) for a daily doodle. “Doodle,” though, may not be the right term for what I post there, some of which take hours to complete. Perhaps because it’s easier to draw patterns than it is to think about what I really need to do, I spend a lot of time brainlessly coloring in shapes or painting pages in preparation for making shapes to color in. Maybe as long as I have the time to doodle there’s no harm in it, but I’m never sure whether I’m using time or filling it in. I believe in any endeavor that I can regard as practice—that’s what I tell myself, anyway—but how does one become a more skilled doodler?

So I also work on work more than necessary—planning, grading, and planning some more. My son correctly predicted I’d have trouble kicking workahol, and he was right. I’m still waking at 4 am to reread what I’m teaching and put the finest of finishing touches on lesson plans. I’ve discovered you never need run out of work if you can think of more work to do. I’ve concluded everything takes exactly as long as you have to do it.

Plus, what I want to do stands little chance against what others want from me. A life of fulfilling expectations, keeping appointments, and meeting deadlines hasn’t prepared me for initiative. For a workaholic, a fine line divides idleness and guilt. Relaxation seems out of the question. I read the back pages of the paper, listen to podcasts as soon as they appear in my feed, and try to do those household chores I too often neglect. I’m embarrassed to admit how often I check Instagram. Yet I wonder about where I’m going,  who I am now that I’m only part time me.

So far, I’ve found time for everything but redefinition. Where does identity come from—circumstance or choice? Once you remove the chair, how do you draw the not-chair?

Birthday Story

Today is my birthday, and rather than writing reflections as an essay, I thought I’d create a sort of parable to gather all the different thoughts I have about celebrating this day.  This sort-of story is a little surreal and a lot cryptic and very experimental but closer to the confusion I always feel on this day.  For me, writing often means settling things, which sometimes feels false.  I grow so tired of conclusions.  As strange as this piece may seem, perhaps it mirrors what’s in my head today better than an essay might…

Every citizen cycled through the duty, so the remnants of waiting littered the post—half-written notes, tiny totems built of splinters or carved from fragments of shattered wall, a stack of reading well-worth abandoning in the middle.  You were to sound a bell if you saw anyone outside the town walls, but someone long ago yanked the bell’s rope down.  It lay in a shadowy corner like a sleeping snake.

His turn came once a year like everyone else’s, but his stay there felt continuous.  He’d just been pacing in front of the narrow window, just craning his neck to stick his face out and catch scents borne by the wind’s new direction.  Out there were winds.  They whipped tiny circles of dirt in the expanse surrounding the town.  In the absence of anyone arriving, those ghost dervishes came closest to company.  He imagined they were trying to tell him history no one knew.  They’d traveled and he hadn’t, after all.

And he imagined a figure walking out of the horizon, a blur at first, a flicker that could be something loose in a current of air, and then actually a thing with legs and volition moving consciously, purposefully toward him.  Not everyone took this duty seriously anymore—most spent the time sleeping and dreaming—but he’d never been able to accept being alone.  Someday someone would materialize in the distance, and he’d watch, each step of the strange shape erasing a little of the calm forbearance he’d been taught to value.

The hours at the post made his eyes sore with watching and his psyche tired with longing.  He may have dozed a little because, for just a moment, he was sure the figure in the distance would be himself, coming into focus like a reflection in a bowl of water as it comes to rest.  That picture of fate seemed fleetingly right to him.  He was really looking for himself, another self who came from the outside instead of projecting itself onto nights of black and stars.

He shook himself awake, and the fantasy evaporated.  Out on the horizon, the line of trees thinned for fall. A week ago, he knew, some trees must have seemed to burst into flames as their leaves changed, but that hadn’t been on his watch.  He always arrived just after, and sometimes whatever changed in his life since his previous duty felt as wan as trees graying in anticipation of winter.

Soon he’d hear the knock signaling the next watch. He lifted a little statue from a crowded shelf and studied its shape, a woman’s figure whose belly and breasts promised fertility.  Her head and face were unfinished, but he read her inscrutable expression as concentration on the moment she would be two, herself and her child.  His own mother had that moment, and he wondered, for perhaps the first time, how her waiting felt, the inevitable arriving so slowly as to seem invisible and yet rushing up with an undeniable, physical urgency.

And the thought roused him.  He gathered his things to go.  When the door opened, he would be relieved for another year of living.  His eyes off the horizon, he thought of all the different arrivals the world offers.  He thought of his own children, sitting near the windows, looking for their father’s figure rounding the corner.