Category Archives: Resolutions

Number 500

closed-signOnce or twice, after arriving at a favorite neighborhood restaurant, I’ve discovered it closed for good. On the door is a pithy thank you note to loyal patrons. First I think, “Oh no!” and then, “Are they calling me out? Wasn’t I loyal?”

They don’t have me in mind. Restaurants close all the time in Chicago. It’s rough getting started, rough maintaining quality, rough remaining relevant, and rough for owners who must sometimes resent the crazy, constant labor of their working lives. Even popular places can’t always make a go of it when the rent rises or someplace new opens nearby. More loyal patronage, I’ve decided, wouldn’t help. It’s the situation. Better to remember the wonderful meals you had there with friends and move on.

Today’s post is my last on Signals to Attend at least until the end of the year, and maybe forever. For some time, I’ve been thinking about closing. And though I haven’t decided entirely, I feel finished.

A blog isn’t like a restaurant. Few people make a profit, so money doesn’t matter. Nor do I rely on visitors as restaurants must. Okay… it sometimes bothers me when an essay or story I’ve slaved over gathers few readers, but then I tell myself I don’t do it for numbers. People are busy, and it’s nothing against me.

Which brings me to bloggers’ similarities with restaurant owners, at least the ones who never hit the big time. We don’t expect fame, maybe, but we hope to provide a place where pleasure might be found. We don’t imagine we’re the only choice or the most revered or the glitziest, buzziest choice, but we hope to satisfy those who happen in, loyal or not. And much of what we do is behind the scenes… necessarily so. The cycles of resupply and preparation that carry us from one offering to the next aren’t visible. We think, plan, and rethink until we’re ready, and, if  we aim for our best work, we don’t begrudge the labor.

As announced in the title, this post is number 500. I couldn’t begin to count the hours I’ve spent composing and revising for this blog. Dear Reader, it may not seem much, but for six years, my life has revolved around being here. Whatever else I was doing—reading, preparing for class, grading papers, coaching, writing grade reports, traveling, dealing with personal and family crises and celebrations, seeing to the rest of my creative life on my other blogs and in my other life as a visual artist—I appeared here at the requisite times. I wanted to post something new, and I’ve missed few deadlines I set for myself. Sometimes this blog felt like a part time job in a life too busy to accommodate one.

More so lately, not just because of the challenge of finding something new to say or because I’m still seeking different voices and styles but also because questions about my purpose nag me. Distinguishing between desire and obligation can be difficult, especially as visitors shrink and the thrill of twice being “Freshly Pressed” or cresting some follower milestone fade. I’m proud of my consistency—even if it’s crap, there’s a lot of it!—but when I mention my blog to friends and colleagues these days, they ask, “Are you still doing that?”

A restaurant owner might say doing anything for a long time—even when you try your damnedest to maintain quality—makes you reliable, which is not at all the same as exciting.

I’m not leaving the blogosphere entirely. I have a poetry blog I post to when I feel like it, a haiku-a-day site I’m devoted to, and the weekly cocktail blog I share with my brother. This site will stay open, if only as an archive.

So consider this my note on the door:

Thank you to all my loyal and not-so-loyal followers, my periodic and random visitors, my disgruntled objectors, my sympathetic ears, and my tsk-tskers. Your intelligent reading, your “Likes,” and especially your thoughtful comments inspired me and challenged me and helped me grow. You have been the center of my attention, and, though you may no longer find new material here, you haven’t left my thoughts.

 

 

Advertisements

18 Comments

Filed under Apologies, Blogging, Doubt, Essays, Gratitude, Identity, Laments, life, Meditations, Resolutions, Thoughts, Time, Work, Worry, Writing

And by “You” I mean “I” (or “Me”)

round1To believe your own thought, to believe that what is true for you in your private heart is true for all men—that is genius.

Ralph Waldo Emerson

Personal essays require believing you’re a valuable subject. The principle justification for writing about yourself comes from the granddaddy of personal essayists, Michel de Montaigne, who said individual experience is never purely individual. He believed, “Every man bears the whole stamp of the human condition.” And—if you accept his premise—the particular, paradoxically, illuminates the universal.

Philip Lopate goes further in his introduction to The Art of the Personal Essay by urging confession. Confession garners trust because, “The spectacle of baring the naked soul,” he says, “is meant to awaken the sympathy of the reader, who is apt to forgive the essayist’s self-absorption in return for the warmth of his or her candor.” In indicting yourself, the thinking goes, you must be honest.

If you’re sincere, your “indictment” might include confusion and the hopelessness of ever deciding anything definitively. Admitting you don’t (and maybe can’t) understand could be part of every essay, especially if you undertake issues or questions hoping to resolve them. Montaigne said, “Anyone who studies himself attentively finds in himself and in his very judgment this whirring about and this discordancy.” He also says, “There is nothing I can say about myself as a whole simply and completely, without intermingling and admixture.” Yet confusion will likely frustrate your reader as much as you. Sympathy has limits. You’re supposed to say something worthy or why write? Expressing your finite intelligence isn’t helpful or winning or impressive.

What is? You can’t be sure. Personal essays involve inventing a tolerant audience willing to sympathize with tortuous, circular, and equivocal ruminations, fellow feeling that maybe might occur if your thoughts are new, relevant, incisive, clever, amusing. You could be the worst judge though, and not know it. Just as the tone deaf are least qualified to assess the quality of their own voices, you may sing on, missing cues signaling how discordant or flat you are. And any response, even the most muted and mixed, could produce disproportionate effects. Someone smiles or smirks, and you think, “Ah. I’ve said something. I’m communicating. An ear is listening at the other end of this line, after all.”

The high-wire risk of personal essays is faith. You pray you’re perching on insight. Keep going, write enough, and you’re sure to… you think. Life is finite, you think. One life may be different, you think, but, if you try hard enough or long enough, you’ll reach some truth, minor and irrelevant as it might be. Sure, quantity can be the enemy of impact, yet—you think—you’re an exception.

So you tread on. You reach your foot forward praying for something like solid ground or a great uplift of wind to keep you from falling.

2 Comments

Filed under Aesthetics, Ambition, Art, Desire, Doubt, Ego, Empathy, Essays, Feedback, Hope, Identity, Laments, life, Meditations, Rationalizations, Resolutions, Sturm und Drang, Survival, Thoughts, Voice, Worry, Writing

Knowing

manifoil_rear_exposedEDLike most of my recent Tuesdays, fiction… of a sort anyway.

Once Vernon lived the same random existence you do. He woke with the day’s scheduled events ahead of him and, though he had hopes, he didn’t know how that budget presentation or routine dentist appointment might go. He thought surprises could intrude—good and bad moments he could not anticipate—as we all do. But he never accepted it.

You probably still believe as he once did, that life is fundamentally unpredictable. Vernon made science of his life. Mentally recording each variable and each outcome, he linked cause and effect clearly and closely until he brought them together in intimate embrace. He discovered simple connections—which foods gave him indigestion in what situations—and murky ones—what weather, timing, and posture would lead his co-worker to confess irrepressible affection and devoted passion…  despite (and beyond) all reason.

Mind you, saying he discovered causes isn’t saying he could make them so. Try as he might to align actions and results, some piddling thing often fell out of place. The difference between you and Vernon is that he always saw which one and grasped exactly and immediately what must change to create outcomes that, obvious to Vernon if not to you, must be.

This co-worker he thought about: Over the last month, a haircut on the wrong day, the sudden startle of lightning, an improperly intoned “good morning,” a splash in the washroom… all delayed the natural and inevitable effect of their meeting. A miffed expression and the puff of air stirred by flight alerted him when a destined moment passed. You might give up. Vernon regarded each squint and swallowed word as encouragement. They sent him looking for confluences that, properly managed, would yield fate.

Perhaps you’ve glimpsed Vernon’s great order, sensed a lock’s tumblers sliding toward their perfect relation and release, but Vernon’s perch near perfection was more than that. Locks are mechanical. Vernon’s conscious manipulation of every variable comprised the business of his every wakeful instant. The necessary elements and steps appeared as on a blackboard, a charted course of loops, arrows, and chains of boxes parading as to the edge of a cliff.

Occasionally Vernon considered speaking. At times, he ached to step in and express desire directly, but every operation he conceived depended on mystery. Fabric knows nothing of its weaver. The sun makes no deviations in its plans and entertains none. His co-worker’s guessing his aims would only interfere. Though his secrets were burdensome, they allowed belief in an organic end.

So you won’t be shocked to hear of the afternoon when autumn light slanted from golden leaves to Vernon’s face and the breeze tipped to the southwest to offer up fall’s bourbon decay and the temperature dropped by just more than a degree and an unseen dog’s plaintive yelp echoed through the office block’s canyons. Vernon’s words reached just the right tenor of elusiveness.

With one-eighth of a smile, his co-worker asked, “Okay if we stop for coffee?”

You will guess what happened next.

2 Comments

Filed under Aesthetics, Allegory, Ambition, Experiments, Fiction, Fiction writing, Hope, Identity, Kafka, Love, Metaphor, Parables, Play, Resolutions, Revision, Solitude, Thoughts, Uncategorized, Voice, Writing

Danse Russe

“I am lonely, lonely. haring4

I was born to be lonely,

I am best so!”…

 

Who shall say I am not

the happy genius of my household?

 

William Carlos Williams,

“Danse Russe”

Lately, the philosophical question plaguing me is whether solitude is the natural state of humans… which says something about the state I’m lately in.

It’s July and, as a teacher, I don’t report to work. However, my wife still leaves each morning, my son lives elsewhere, and this summer my daughter has a job in the wilderness of Wisconsin. Between seven am and seven pm, email, Facebook, and the internet generally keep me company. With my sabbatical ahead, I forecast a long stretch of similarly uninterrupted solitude for the next 14 months.

Scientists believe they’ve answered my philosophical question definitively: humans are not solitary, never have been, and, in fact, experience changes in genetic expression in response to social situations. Where scientists once believed you were stuck with the genes you possessed at birth, they now recognize the environment, including the social environment, can turn on certain genes and change traits thought immutable. Research indicates people who live alone develop suppressed immune systems and manifest marked changes in genes linked to depression. Abused children with access to support outside the home, for instance, show–genetically—less sensitivity to stress and trauma. Closeted gay men fall much more rapidly to AIDS than more connected victims. Solitude, science says, is bad for you.

I’m not naturally social. In that great divide between those energized by company and those taxed by it, I’m squarely in the second group. A day of teaching runs upstream against my disposition, and, by the end of the workday, I have no talk left. As most people do, my wife looks forward to parties, guests, and visits. I try to. I remind myself how much fun I’ll have, how good it will be to reconnect with friends, how exciting meeting new people can be. Nonetheless, my apprehension grows. Almost involuntarily, I experience a kind of dread.

I’m no recluse. I love most humans and seem to function well in public. Some people, I’m always surprised to hear, say I’m interesting, even charming. Still, solitude is easier.

There’s a difference between solitude and loneliness. Solitude is a choice. Loneliness implies unfulfilled desire. A solitary person likes quiet, enjoys controlling his or her time, and finds productive and satisfying ways to spend what may appear to others empty hours. In contrast, a lonely person feels lost in a desert of time and wonders where the oasis is, where life-sustaining company might be, right then. Solitude evokes strength, self-sufficiency, autonomy, confidence, and completion. Loneliness stings. It never feels right and elicits resentment, bitterness at the thought of being dismissed or neglected.

I aim for solitude, but its border with loneliness wavers. I consider calling people so we can get together, then I give the idea up as weakness—they have their own lives and could certainly call me if they wished. I shouldn’t impose. I remind myself of my good fortune, the time to read, and study, and think, and write. Then, when I’m not looking, the switch flips. I feel excruciatingly bored and forgotten. The day begins with journal writing, a to-do list, an hour or so of studying a psychology text, and work on my latest creative projects. It ends with Netflix, iPad games, and anything to pass time before my wife (finally) walks in.

If I complain, she says, rightly, “Do something about it.” And I say, “I should.” Yet, the next day, I return to the same strategy of making the most of being alone. Sometime soon, I may scream. In the meantime, I structure my new solitary life like a dike to keep loneliness out. I mean to keep loneliness out.

A researcher named Steve Cole has devoted his career to studying the physical effect of social isolation and has discovered that, even more than stress, “Social isolation is the best-established, most robust social or psychological risk factor for disease out there. Nothing can compete.”

Scientists may have answered the question of whether humans are solitary, but my own experiment continues. My days negotiate self-reliance and desire, fellowship and autonomy, productivity and yearning to hear another voice. Nothing seems so immediate and real as this battle between being myself and being part of something. Even this post is a skirmish, a surrogate for conversation, piled earthwork, more effort to occupy time.

7 Comments

Filed under Ambition, Depression, Desire, Doubt, Ego, Essays, Facebook, Friendship, Home Life, Identity, Laments, life, Meditations, Rationalizations, Resolutions, Sabbaticals, Solitude, Sturm und Drang, Survival, Thoughts, Time, Voice, Work, Worry

Danger Danger

8326674788_ffc5919ef8_zOccasionally people ask if I worry about posting online. They wonder about potential embarrassment to me or to my family, or the professional trouble I might get into if superiors or students read a post, or the hate even a mild point of view can inspire. I know the internet is prone to spinning gray into black and white and isn’t a natural place for the measured or reasonable. Anyone who reads comments sees the disproportion of cyberspace, the glee some take in judging others on the barest basis and then spewing ugly, often scary, venom.

But, no, I don’t worry about that. Statistics tell me how many people find this blog every day and who can be sure how many actually read? After four years, Signals to Attend has quite a few followers, but WordPress doesn’t say how many of those really follow and how many hope for a visitor or follower in return. For the record, I return visits (though not always with comments) and am grateful for whatever loyalty this blog cultivates. Reading and writing is, potentially, the positive side of the internet, its capacity to create community, and company. Whatever the risk of blogging, the benefit of meeting thoughtful writers is greater. For me, it has been anyway.

I don’t rely on limited visibility though. One wrong reader could make life miserable and, although sometimes my ire bubbles up, I try to moderate the ferment, to be circumspect, to watch my measures and combinations to make the best brew possible. I use no names not already in the public sphere. I name neither family members nor my workplace and try to protect anyone I do name by considering how it might feel to be the object of my criticism.

Writerly friends, in fact, sometimes urge taking more risks. They say I’d have more readers if my opinions ventured into perilous territory. Yet, the biggest risk, to me, is saying what you think or feel as exactly as you can. It’s easier to be dramatic and “out there” if you don’t worry how accurately you express yourself or communicate the truth you see. Getting your own heart right courts equivocation and complexity. In our world, maybe that’s the risky stance.

Every once in a while a comment arrives that might be summarized as “Why would you think such a stupid thing?” or offers unsolicited advice carefully tailored for the misguided… and tailored a couple of sizes too small. In those cases, I’m polite. They come from a desire to make things better. And, of course, they’re often right.

Plus risk is part of the process. Who would want to create no response? If writing were simple, we wouldn’t suffer so much over it and—suffer over it as much as we like—our writing is bound to be incomplete if we try (as we ought to) to sort out what we don’t understand. Anyone who can help me understand my topic or myself better is welcome. For that, I’m also grateful. Just assume my intentions are good, please.

Really, my only worry about posting online is that my time and effort may be wasted. Everyone knows the Oscar Wilde quotation, “The only thing worse than being talked about is not being talked about.” As many bloggers must, I worry about dancing to my own tune, calling “important” what’s actually self-indulgent and solipsistic. Worse than wandering into trouble is wandering into dark and empty rooms. I think of closing this blog down every time I pass a significant number of posts, but it’s never because I fear backlash. What I fear is that the trouble is all mine or that my best escape from issues is being irrelevant.

Leave a comment

Filed under Aesthetics, Ambition, Anxiety, Blogging, Desire, Doubt, Essays, Gratitude, Hate, Identity, Laments, Modern Life, Rationalizations, Resolutions, Thoughts, Voice, Writing

Commute

d9d4c68cb3bb5818776e12b294909c8bThe key wouldn’t turn the way it needed to. He tried for some time and then had to go to work. On the way he told himself an unlocked door is fine as long as no one tries it, and he couldn’t be late again or he’d have no money for rent.

He thought briefly about calling her because she still had a key and might have the touch to make the lock work. She did much better with objects, understood subtle shifts of position and emphasis that made them cooperate. Every thing seemed troublesome to him. At first, she’d found his confusion charming and laughed at his clumsy handling, but her impatience grew like a bass hum in an audio line, building until it overwhelmed the signal.

On the day she left, she locked the door. He returned expecting to find the apartment open and her inside making something to eat, as that morning she’d offered. Instead, he found a note on the bare table explaining she’d taken most of her things and would be back for the others that weekend. Nothing in the note explained why really, but he understood.

They could be friends, she promised.

He’d be late anyway. The L always chose the worst time to delay and, between each station, a voice announced, “Your attention please: We are standing momentarily, waiting for signal clearance. We expect to be moving shortly.” Sometimes the message just finished as the train lurched to life, the air conditioner stirring as it engaged. Sometimes the lull continued, passengers doing their best to pretend they hadn’t heard.

“What are your ambitions?” she’d asked him once.

He shrugged. The degree he’d earned wasn’t practical, and, encouraged by his parents to “follow his bliss,” he’d never thought much about income. He’d always worked, never at anything, however, he’d devote a life to. He settled between jobs. He knew what he’d like and what, in the meantime, he might do to get by. When the getting by squeezed everything else out, he felt strange relief. Absolved from dreaming, he could live instead.

She might have left him when she took her new post or three months later when she received her first promotion. He took her staying as proof she loved him as he was but also detected her restlessness, the way she seldom sat with him anymore, never simply read or watched something with him.

Before the L reached his stop, he’d vacated his seat for an old man bent by labor or some previous injury into an awkward S. They’d passed a light smile, and he thought momentarily about speaking but recalled how she hated that, her forced laugh when he’d explained his parents’ faith in casual conversation.

One of his friends asked if he knew she’d started seeing someone else. He said, “Yes,” though, of course, he hadn’t. In retrospect, the hints lay everywhere, but he’d thrown himself into work, taking unnecessary shifts and covering co-workers when they or family members became ill. She’d scolded him. He might have noticed how he neglected her.

“And for what?” He almost said the words aloud.

Every time he passed through the revolving door at the station he had to think which way to turn—something in the bars scared him, and those exits always reminded him of factory machines to knead or slice bread. A man in a business suit behind him almost ran over him. He glanced back in mute apology.

On the street, peeking at his phone, he saw the hour had passed. The manager wouldn’t really be angry because he’d been a dutiful employee and a good co-worker, a good boy. Still, involuntarily, his pace quickened.

Their first conversation after she left was to arrange a meeting that never happened. She needed to talk to someone, and he said he had a conflict too. Since then, they’d spoken twice on the phone. The second time, he’d meant to be dignified when she asked how he’d been, but he’d been honest.

“I’m pretty miserable,” he said.

She tried to console him, but nothing she said stuck.

Down the block, he saw the familiar storefront and one of his coworkers cranking the handle to release and extend the awning. That was his job, he thought, and then he heard his own voice, barely audible on the busy street.

“Go home,” it said, “call a locksmith.” And, before another moment passed, he turned and went.

Leave a comment

Filed under Ambition, Chicago, CTA, Desire, Doubt, Experiments, Fiction, Identity, Laments, life, Love, Modern Life, Rationalizations, Resolutions, Solitude, Thoughts, Urban Life, Work

Thoughts of a Struggling Diarist

photo 1-33Lists of famous diarists run many pages, going on so long you begin to believe anyone who desires merit must keep a diary. I know I’m confusing correlation and causation, but journal writing has been urged upon me so many times, there must be something to it… that so far eludes me.

In my backpack I keep a notebook where I occasionally jot ideas. It includes recommended books and movies, sentences revised and re-revised, odd overheard statements, and strange sights. My attempts at a daily journal, however, typically fail. A few days in, I ask why I’m telling myself what I already know or why it’s vital to describe in tiresome detail events that just occurred and hardly seem worth remembering. Writers laud journals as practice, which certainly makes sense, but my skepticism rears. What kind of practice? My audience, myself, will accept any old thing, and, though he’s unimpressed with the familiar, gets little else. If I perform the way I rehearse—which most people do—journaling won’t create brilliance. Quite the opposite.

I never re-read. Though writing-to-think is a valuable process, my journals meander in the dark, prodded by obligation, trying one direction and another and hoping, half-heartedly, to trip over treasure.

If you’re a journal-er, you’ll say my problem is the author. I do wonder—if I can commit, will I discover how life changes when I record it? Since school ended, I’ve been trying again, scheduling a regular visit to a blank sketchbook filling up with scrawl and doodles. The secret, I tell myself, is to think of this journal as a savings bank where investments in self-examination will grow.

According to Susan Sontag, it’s “Superficial to understand the journal as just a receptacle for one’s private, secret thoughts—like a confidante who is deaf, dumb and illiterate.” For her, the journal is not a place to “Express myself more openly than I could to any person,” but a place where, “I create myself.”

“People who keep journals have life twice,” Jessamyn West said, and Anaïs Nin called her diary “My kief, hashish, and opium pipe… my drug and my vice.”

One of my former colleagues kept journals and, during one of his free periods each day, covered exactly one page. I watched, without reading, as he somehow spent thoughts to die out on the last line. He didn’t share his entries with me or anyone and said he had shelves of journals dating back to the sixties that he never, never, never revisited.

His writing was, I’m guessing, a continual reshoring, a levee preserving his sense of himself. Without reading a single entry, I picture him reassuring, encouraging, redesigning. In my imagination, he plans how to be, his range and domain.

But my experience so far tells me I’m romanticizing. My entries are dull, larded with worries about productivity and self-worth… which, it turns out, are often the same thing.

Virginia Woolf said she’d like her journal to:

Resemble some deep old desk, or capacious hold-all, in which one flings a mass of odds and ends without looking them through. I should like to come back, after a year or two, and find that the collection had sorted itself and refined itself and coalesced, as such deposits so mysteriously do, into a mould, transparent enough to reflect the light of our life, and yet steady, tranquil compounds with the aloofness of a work of art.

I’d like that too. But how do I become Virginia Woolf? How do you ask so much so regularly? How do you battle the relentless, regular tide of personality? How can you try so hard when no one watches or cares?

These mysteries I can only settle over time, I tell myself. Right now, my journal feels like investment, pretty in its script and drawings… but vapid. I have almost no interest in history, being able to say on such and such a day such and such happened, but then what am I interested in, what steady voice emerges?

“The impulse to write things down is a peculiarly compulsive one,” Joan Didion says, “inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself.”

Maybe my journal writing will only become important as it approaches compulsion, as it embraces no justification beyond blind obsession.

1 Comment

Filed under Aesthetics, Ambition, Desire, Diaries, Doubt, Essays, Experiments, Genius, Home Life, Hope, Identity, Journals, Laments, life, Meditations, Rationalizations, Resolutions, Thoughts, Voice, Writing