Most spiders build well or beautifully. A special few do both, their art being function and their function being art. Dewy mornings display their webs’ perfect parallels and perfect circularities, and, though their work couldn’t be more visible, they catch wary prey looking too close. Drawn like moths to light, their victims barely struggle in the sticky strings of arrest. Acquiescence overcomes will. Even things that once flew know they’re had, and the web maker feels no impatience to meet and complete its kill. You’d call that sort of restraint self-control, but it isn’t control exactly when command requires little effort. Such a spider issues such a web, and waits. It seems made for that life.
There’s another spider, though, whose webs are neither expert nor special. Its abdomen is stuck open and launches filament after filament in a tangled, impatient mass. Its eight perpetually scrambling legs carry it from place to place, away from its leavings and toward any empty cranny, dragging its ductile chains. Design may govern even things so small, but this spider knows little government other than compulsion, moving because it must, because it cannot not. You’d recognize its webs—after so much practice how could they be anything but consistent?—but, unless you mistake uniformity for artistry—you’d find little to admire, especially when comparison is so easy and ready.
This spider feeds on the accident-prone, insects wandering from common paths and into shadowy niches. Bad fortune carries the spider’s food to the wrong places, and the spider, ever grateful for the least attention, wraps victims almost before they know they’ve been duped. The spider knows its clientele and strings the landscape with traps. It can’t do otherwise because no advantage lies in one well-made thing when making rather than capture dictates life. It wants to eat, that’s all. It needs to express sticky strands, so a diet of gnats is as good as a grasshopper.
The work of peers passes as the spider moves to undiscovered places. You’ll see no grumbling in its steps. There isn’t time but there also isn’t envy. Part of knowing place is knowing context. The spider sees its ways relative to others, and their judgment is his own. Sometimes, passing under the great arc of a masterpiece, the spider dips its head and recommits to the path before it, but whether that’s bowing to emulation or oblivion is unclear. Neither shows in its next effort in any case.
An ending to its restlessness might be welcome. Were its supply of web to cease, the spider could be content to play caretaker, to wander among its many webs watching to see if anything unsuspecting remains to be caught. Eventually the spider would see all the strands break and maybe then it would feel loss as its life dwindled, but perhaps not.
What future awaits has little place in the spider’s attention. It looks for new space. It means to work.