Monthly Archives: March 2011

15 Not-Posts

This weekend I’m busy writing grade reports, so I’ve collected and edited 15 thoughts jotted into my notebook over the last few months.  All of them represent stillborn posts, ideas I considered but somehow couldn’t return to…

I used a random number generator to put them in this order.

1.   The impulse to roam resides so deep in humanity that progress—if there even is such a thing—is irresistible.  Anything static begins to feel like death.

2.   A co-worker once told me people miss the word “not” in statements like “Don’t be nervous” or “I’m not mad.”  Now I wonder what instructions I’ve been giving myself all these years.

3.   Aging reminds me of wandering into a neighborhood I do and don’t know. I could knock on doors and meet the locals, but I’d rather not find out where I am.

4.   I haven’t seen many real fights, but I know violence alters the air around it—another dimension momentarily erupts into ours and drags everyone in.

5.   Are we close to the point when any effort to convince people to think of others is doomed to failure?

6.   When I board my imaginary time machine, I always travel back to the first mistake that felt irreversible.

7.   Some people ridicule those who live by the rule of “Nothing ventured, nothing lost,” but I think about what we’ve been spared… and what the blindly ambitious have foist upon us.

8.   People who don’t mind being hated have a sort of superpower.

9.   Buddhists are right that desire breeds misery, and the American solution—acquire things until you desire nothing more—is a fantasy.

10,   I’ve never taken part in a conversation that includes the words, “There’s something I’ve always wanted to tell you…”

11.   If privacy is keeping something sacred to yourself, perhaps its opposite is believing nothing is unique to any individual.

12.   Most of the young people I meet couldn’t care less about who owns the art they consume.  For many of them, anyone thinking of selling art doesn’t understand what art is.

13.   No one likes hearing our organic sensory devices perceive the world and not us—the idea of such devices suggests no “us” at all.

14.   When I picture the planet spinning, I start thinking of the earth as a generator and wonder what force all this life might be creating.

15.   The surreal and the absurd seem so close they’re inseparable, but what if they aren’t?  What if there’s a sort of surrealism that is entirely invisible… and we’re living in it?



Filed under Aging, Art, Buddhism, Doubt, Dreaming, Essays, Experiments, Home Life, Jeremiads, Laments, life, Meditations, Modern Life, Numbers, Opinion, Persuasion, Recollection, Thoughts, Work, Writing

Seven Metaphors

Teachers are great sharers—or show-offs, depending on how you look at it—and they often compare the clever and cruel tasks they’ve given students. For me, these assignments float up, borne by celestial current into my neighborhood. I plot ways to use them.

An obstetric nursing teacher once told me she asked her class to come up with seven metaphors for childbirth. She wanted them to shift their assumptions, to see the process as something more than procedure, as something new. As is often the case with clever teaching, they hated their commission. Nonetheless, sharing the results was, she said, one of her best classes ever.

I can’t ask my class to find seven metaphors for childbirth—they would wonder who possessed their English teacher—but I might ask them to create seven metaphors for something as central to a literature class as childbirth is to obstetrics, writing.

As such assignments are easy to give and hard to do, I thought I’d try it first. What would my seven metaphors for writing, as I’ve experienced it, be? Here’s what I came up with:

1. a seam between mirrors

  • I lived in an apartment in college where the landlord chose two smaller mirrors instead of one large one. The wall beneath wasn’t altogether even, and, standing in the middle, you were split. On either side of the seam you weren’t quite the same person. From one perfect spot in the bathroom you could look at yourself and not look at yourself at the same time.

2. postcard postage

  • In the U. S. postal reality, something nearly the same size and weight but without an envelope costs a lot less. Either privacy has a price or saying what you need to say in less space and out in the open means you deserve a break. I’m not sure which.

3. a two week beard

  • For me, two weeks is the point when people begin asking if I’m serious. It’s also the point at which I wonder if I’m serious. Is what’s on my face a beard or questionable grooming? The person wearing facial hair is not always qualified to determine. Surprisingly, it’s often a matter of perception.

4. pocket yahtzee

  • My pocket sized electronic yahtzee game gets harder as it goes along. At first, I can easily believe a full house or straight will arrive shortly and somewhere along the way I WILL yahtzee. But hope never lasts. Abandoned games outnumber finished ones three to one, and even in your high score game, your total is never perfection. It’s still the best you could do under the circumstances. Maybe that’s what keeps me wasting time on such a silly gadget.

5. a key you have made for no lock in particular

  • Imagine making a key from scratch, not knowing what lock it’s truly intended for or whether that lock really exists—it’s more than a leap of faith, it’s believing in magic, a sense there’s an unrealized deficit in the world, a strange order that awaits your completing it.

6. the replacement idea

  • My working memory is much smaller than my stored memory, and I forget most of my good ideas. I walk around repeating them like incantations and still they evaporate. When it comes time to work, I’m left with the second best alternative, trying to find something to replace what I was really thinking and feeling. Sometimes I believe the second is better than the first, but is that only because I can’t remember the first?

7. the wooden frame beneath the arch

  • Studying arches, you discover the most dramatic structures began with wood to support them. The addition of the keystone makes it appear as though the arch simply happened, but that last stone—perfectly sized and shaped to fulfill its destiny—is what allows the frame to drop away.

Were this a true assignment, the next step would of course be explaining each of these metaphors. However, I’m feeling lazy.  I’ll leave the other half of the assignment—the meaning of these comparisons—to that most metaphoric creature, my reader.

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